Posts Tagged ‘Marketing’

Confessions of a Copywriter: The Ugly Side of SEO

Wednesday, June 8th, 2011

by Ryan Faist

Big Idea Company, LLC

Sometimes I wish I didn’t have such a naturally low tolerance for BS. It gets me into trouble every now and then. But I can’t help it. I was born with an ultra- sensitive BS radar that emits violent shockwaves whenever it goes off. In fact, it’s going off right now.

For the past twenty minutes I’ve been online reading blogs, articles and website copy. Not because I care about what they have to say, but because it’s part of my job as a writer to know what the current literary climate is in cyberspace. I can sum it up in three letters: S-E-O. (more…)

Are We Clear?

Friday, March 11th, 2011

A Quick Reminder That Will Help You Every Day for the Rest of Your Life

by Ryan Faist

Big Idea Company, LLC

“A language can associate semantic information with structures larger than ele- mentary lexical items and can associate semantic interpre- tation principles with syntactic configurations larger and more complex than those definable by means of single phrase-structure rules.”

I have no idea what this means either. Yet the topic, if you can believe it, is communication.

To be fair, this quote is from an essay by a group of distinguished scholars (Fillmore, Kay and O’Connor: Regularity and Idiomaticity in Grammatical Constructions). For some reason, people in academia love when nobody knows what the hell they’re talking about. For the rest of us, a great deal depends on our ablity to understand each other.

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How to Talk to Reporters

Tuesday, March 8th, 2011

Five Principles Used Every Day by the Best Spokespeople and Politicians In America

Lou Pierce

President, Big Idea Company

The best spokes- people in the world use a set of surefire tools when talking to reporters to ensure that their message gets heard loudly and clearly.  They see interviews as an opportunity to further their agendas and neutralize other’s agendas. And, they prepare for these opportunities in some unexpected ways.

Here are five of the fundamental rules that you can use to your advantage when being interviewed by local or regional media. They are the same rules you’d use for national or international media. Disregard them at your own peril.

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The Easiest Way to Get Your Business in the News

Thursday, January 27th, 2011

by Ryan Faist

Big Idea Company, LLC

So you want some media coverage for your business or organization, eh? Sounds great. The easiest way to accomplish this is to send an irresistible press release to  your local media outlets. One good release, and BOOM – crazy news coverage! Unfortunately, this doesn’t happen as often as it should. In fact, most press releases never even get read. So what are the secrets to writing press releases that actually do get read, and more importantly, get you in the news? In next three minutes you’ll find out.

The Secrets

A press release is a one-page announcement designed to generate media coverage. In order to do so, it must stand out from the hundreds of other press releases being submitted to the media at the same time. Press releases can announce events, achievements, developments, new goals, new hires… just about anything.

Before you begin writing, there are a few things you should know about the media. First, they don’t care about your announcement. It sounds harsh, but it’s true. The media only cares about the people who read their newspapers, watch their news programs, listen to their radio stations, and so on. And they only care about those people because the more they satisfy them, the more successful they will be. So, if you want to appeal to the media, appeal to their audience. This means if you’re writing a press release announcing a new product you offer, don’t talk about the product. Talk about the ways it will benefit people. If you’re announcing an event, write about the significance of the event. A good press release tells the media why their audience will care about your announcement.

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Interviewing Journalists: A Monthly Q & A

Monday, August 16th, 2010

by Lou Pierce

President, Big Idea Company

John Strauss

News and public relations are changing so fast that it’s hard to know anymore what constitutes best practices.

There’s no shortage of advice, certainly – behind every blog or business card is an “expert” of one kind or another. But when it comes to figuring out where we’re going and how best to respond to vast changes in the industry, I still like to hear from the real media professionals themselves. (more…)

Inspired by the Client

Monday, April 26th, 2010

When we set out to create a development or marketing film, we are always excited about what we’ll learn in the process. Occasionally, we are actually humbled by what we learn.

This is a case where we were humbled and remain humbled, in-part, by a gentleman who by the age of 12, was working 6 days a week, ten hours a day in a Pennsylvania coal mine. On the rare occasion that he would see daylight for any amount of time, he learned to do something unique — and he did it so well, that it changed his life, and the lives of thousands of men, women and children in northern Indiana forever.

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A Four-Letter Word that Boosts Morale and Productivity, and Decreases Absenteeism at Work

Monday, January 18th, 2010

by Jill Klinedinst

Big Idea Company

Like most businesses, you’re probably wondering how you can get the most from your employees.  Maybe you want to increase productivity, decrease absenteeism or simply make the work environment a little more comfortable. There’s an easy way to do all of these things – a simple four letter word: DOGS.

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The Ugly Secret Behind the Coke vs. Pepsi Rivalry

Monday, December 7th, 2009

by Ryan Faist

Big Idea Company

coke and pepsiI started a war in my last post, but this time I come in peace. Yes, I am taking a break from the battlefield to examine a little rivalry in the marketing world. Actually, it’s one of the longest running marketing feuds in U.S. history, affecting more than 200 million Americans every day.

As G.I. Joe taught me in the eighties, knowing is half the battle. So, before I jumped into the battle ring with two heavyweight companies that together generate more than $60 billion in annual revenue, I decided to conduct a little investigation of my own. I presented five people each with two unmarked cups filled with a different but similar beverage. Then, after recording which one they thought tasted better, I asked, “Do you consider yourself a Coke person or a Pepsi person?”

Coke and Pepsi have been battling each other for market dominance longer than any other two companies in the country. Pepsi tries to position Coke as boring and unhip; and Coke tries to position themselves as the original, authentic cola that can’t be replaced. They’ve been battling  this way for decades now, with Coke enjoying a slightly larger share of the cola-drinking population.

But I don’t care who sells more or which one tastes better. What I want to know is: why are people are so loyal to their cola? In the cola world there are Coke people and there are Pepsi people. Everyone knows this. But it’s not like that with potato chips, candy, hot dogs, etc.  What is it about this carbonated beverage that divides an entire nation of people?

Logic would submit that people choose Coke or Pepsi based on which one they think tastes better. I wish it was so. You may recall that Pepsi conducted a taste test much like my own back in the seventies. They called it the Pepsi Challenge. Surprisingly, most people who said they liked Coke actually preferred the taste of Pepsi. So Pepsi posted their results in a series of popular commercials that increased sales for a few years. But then, for unexplained reasons, things went back to normal and Coke jumped ahead again. Much to their dismay, the Pepsi Challenge suggested that even people who preferred the taste of Pepsi eventually resumed their loyalty to Coke… it was as though they couldn’t help it.

The fatal flaw in the Pepsi Challenge was that it never tested the “loyalty” of its subjects. It is my hypothesis that loyalty has nothing to do with taste. And after reviewing the results of my own study, this is what I learned: of the five people who participated in my blind taste test, two claimed loyalty to Coke and blindly preferred the taste of Coke, two claimed loyalty to Pepsi and blindly preferred the taste of Pepsi, and the fifth person was indifferent. Needless to say, I was puzzled. According to my results, loyalty does have something to do with taste.  

But I just don’t believe this. If people were loyal to the cola they thought tasted better, why would the Pepsi Challenge prove otherwise? This is the question nobody has thought to ask… the question that certain people don’t want you to ask.

I have since developed a new theory about the Coke vs. Pepsi rivalry, and it has nothing to do with taste, nothing to with the cola your parents drank, and nothing to do with your DNA. 

It’s the government. It has to be. There’s no other explanation. Big Brother decided your cola for you before you were old enough to say your first words, I just know it. How, you ask? Why, you say? All good questions. But remember, this is the government we’re talking about; they can do anything. So just picture this: you’re young and in love. You get married. You start a family. Everything is perfect. And then one day the doorbell rings and two federal agents in black suits are standing on your doorstep with a little brown briefcase. Enough said.

Think about that the next time you pick up a glass of your favorite cola. But act normal. Don’t let them know you’re onto them. Just take a sip, smile big and raise your glass to the federal government. They’ll be watching.

I Delcare War

Monday, November 16th, 2009

by Ryan Faist

Big Idea Company

vietnamI haven’t wanted to do this… but you’ve pushed me too far. I’m talking to a certain group of writers who have somehow advanced their troops to the frontline of American media. Well, I’m here to tell you that this is as far as you go.  

For you innocent civilians reading this, I will explain. My enemy is any writer who inflates their prose with sensationalism. That means hype. Sensationalism is when a writer takes a banal experience, like walking down the street or brushing your teeth, and turns it into some kind of melodramatic or extraordinary experience. It’s what my father would refer to as B.S.

To make sure you understand why I’m about to pick a fight, I’m going to get a little technical. First off, you have to realize why my enemies want to sensationalize their writing. It has to do with creating conflict, or tension. You see, in any piece of prose there are two types of conflict: macro-tension and micro-tension. Macro-tension is the major conflict in the article or story. In a murder mystery, it’s the “whodunit?” Micro-tension is a series of minor conflicts that help advance the story, but aren’t necessarily related to the major conflict. For example, in a murder mystery, micro-tension may be when the protagonist runs out of gas on the highway or when the phone rings and nobody’s there. We want to know what happens, so we keep watching… or reading. That’s micro-tension.

Sensationalism, on the other hand, is a lazy technique that bad writers use to keep you reading when there is no organic tension. For example, instead of running out of gas on the highway, a writer using sensationalism might describe how the highway brought back painful memories of riding to the pumpkin patch with his mother when the hero was a child. It’s creating tension where there is none, and it’s the lowest form of writing.  

I’m not just talking about fiction. Every piece of prose has to have some kind of conflict. I don’t care if you’re writing an article about a new treatment for wrinkles or a press release about an old man who sings the alphabet in Spanish pig-Latin. If you want people to read it, you’ll find the natural trouble – notice I said find and natural.

Too many writers have developed the awful habit of inventing the trouble. That’s sensationalism. Instead of discovering the tragic root of the old man’s peculiar singing habit, the lazy writer might try to invent tension by comparing him with a famous tenor like Mario Lanza, and then alluding to his tragedy of never becoming famous himself. Unless the old man is actually as good as Lanza, and had even a remote chance of becoming a successful tenor (which is doubtful), then the entire comparison was sensationalism: phony tension, a sorry attempt to make the writing interesting. It happens. You’d be surprised at the lengths my enemies will go in order to sensationalize their writing because they’re unable to find the true tension in the story. It’s becoming more and more common every day.

Here’s the point to remember: micro-tension is good, sensationalism is bad. My enemies don’t know the difference. They don’t know that readers can always tell when you’re faking it. If they could just learn to distinguish micro-tension from sensationalism, their writing would instantly comes across as more genuine, and therefore more appealing.  

But they never will. They’ll keep writing their B.S. until someone stops them. So allow me.

Those of you guilty of this literary travesty know who you are. But your fun and games are over. Consider this post both a declaration of war and a first offense. So round up your army and meet me at the frontline. We shall see whose pen is mightiest.

The Myth of Creativity

Monday, October 5th, 2009

How Lazy Ad Makers Perpetuate a Self-Serving Myth At Your Expense

by Lou Pierce

Big Idea Company

creativityWhat follows will be heresy to the dinosaurs of the advertising world. I shall make no friends there.  Never- theless, allow me to address the most pervasive hoax that the world of advertising has ever perpetrated upon an unsuspecting corporate and institutional world. It is the industry’s self-serving myth of “creativity” – you know, that pretentious, self-important, ego-driven myth that ad makers are somehow gifted while the rest of us are not.

As an ad maker myself, I dare incur the wrath of professional colleagues by revealing that there’s nothing mysterious, Divine or magical about the “creative” process. Award-winning professionals in our industry are no different from over-achievers in any other industry. Our work is just that: work. “Great advertising” is always the product of very hard work. There are no shortcuts. And, anyone who tells you that there are shortcuts is either lazy, pretentious or both.

So why bring this up now? Well, recently a couple of advertising veterans have been whining publicly via blogs about their “creative” work being treated like a commodity. This perception of their work as a commodity is a serious issue for them. It affects what they can charge and even their long term viability in the business. So, there’s no question, no doubt that they need to be very concerned – but, concerned about their work.

Instead, their published opinions make preposterous claims that the entire industry suffers from this malady and that it is actually the clients who are to blame. That’s right, the clients! It is their published opinion that clients don’t appreciate “creativity” anymore and that they are not willing to pay for it.

Well frankly, that’s hogwash. In a September 11, 2009 interview at the annual Ad Tech Conference in Chicago, Cliff Kaplan, President and CEO of Design Back Office, one of the most successful wholesalers of design services in the world, pointed out that this is a time when smaller, more nimble agencies are actually growing, while larger “dinosaur” agencies with all of their overhead are having trouble meeting client expectations to do “more for less.”

“More for less?” That’s a real conundrum if you simply cannot meet expectations because your overhead prohibits it.  But, blame the client? That’s unheard of in any other industry. Maybe the people who sold the self-serving myth of advertising executive superiority can get away with it. Time will tell.

But I’m not so sure. For me, there’s a mathematical problem with all of this. The excuses, the rationale; none of it makes sense. Products become commodities when they become common. It’s that simple. “Creative” work of a common garden-variety nature is most assuredly by definition, a commodity.

What is the fix if you’re really concerned about this “commodity” issue and are determined to do something about it?  How can you get your work off the commodities list?

Stop pretending that the whole industry is suffering along with you. It’s not. Stop blaming clients for the common everyday advertising that you churn out. Stop pretending that Divine intervention makes for award-winning work. And, break a sweat. Remember sweat? It’s what the rest of us do. Make your common work uncommon. It won’t be easy. It never has been and it never will be. But, at the end of the day, it’s the only thing that matters.