Archive for the ‘Television Ad Strategy’ Category

Still Fresh Long After the Expiration Date

Friday, August 6th, 2010

The Key to Crafting Ads that are Timeless

by Lou Pierce

President, Big Idea Company

Fresh NeonTelevision done well, is television that is timeless.  There is nothing in these classic local ad campaigns that dates them.   There are no special effects for the sake of special effects.  The writing, the concepts and the strategies are as daring and as relevant today, as the day they were conceived.

From our point-of-view, you should always be asking yourself “Will my new print ad, my television ad or my web ad still make sense five years from now?  Will it look silly and out-of-date?  Or, will it remain as relevant in the future, as it is today?”  If the answer is “I don’t know,” that’s fair.  But, if the answer is “no,” you need to rethink what you’re about to do.

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Marketing on Mother’s Day?

Tuesday, May 11th, 2010

What would you do for your mom? See what one little girl did in this :60 film. The :30 version that was posted without any promotion on YouTube, has been watched and shared worldwide nearly 4,000 times. We’re not sure why, but we’re glad. It may help to save a few lives.

NBC Sets Dubious Olympic Record

Thursday, February 25th, 2010
Depending Upon Your Point-Of-View

By Lou Pierce

President, Big Idea Company, LLC

Olympic Ads or Ad Olympics?

To the chagrin of media analysts and viewers alike, NBC is attempting to reduce the financial loss it is taking on the 2010 Vancouver Olympics by inserting as many as 20 minutes of commercials into a single hour of broadcasting. The New York Times reports that this is not the case for every hour of NBC’s coverage, but it’s happening enough that people are finding it to be very annoying.

On Friday night, for example, the network ran 20 minutes worth of ads during the 9pm hour – 20 minutes!

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What Every Editor Wants Your Press Release to Say

Monday, October 19th, 2009

Real World Strategies vs. Classroom Theory

by Ryan Faist

Big Idea Company

IMG_1856_without armSome public relations professors will hate me for what I’m about to tell you. I don’t care. The P.R. purists who preach a strict, formal approach to writing press releases may have good intentions, but their own loyalty to old school journalism is actually keeping you out of the news more often than not.

Don’t get me wrong. Anyone who writes a press release should familiarize themselves with the Associated Press style. In its purest form, it is objective journalism. That’s a good thing. But if you want to get in the news, there’s something else you need to know.

First off, you have to realize that real people are reading these releases; not robots. If you were submitting to machines, you wouldn’t have to worry about the pitfall of boredom. But in real life, a boring press release is a sure-fire way to keep you out of the news. More on this in a second.

You also need to realize that you’re writing for a specific audience who only wants to do two things: (1) find news that will appeal to their audience, and (2) narrow down the stack of a hundred or so press releases received that day into the few that will actually make the news.

Before you write a word, think about these two things carefully. Discover the reason their audience will care about your announcement.

Now you are ready to write. This is the tricky part. You have to intrigue editors the same way they want to intrigue their audience. You want editors to read your headline and think, ‘Now this is interesting.’ In order to do that, you must always remember that they only care about news that their audience will care about. So make sure your headline SCREAMS why their audience will love your announcement. But don’t give away everything. Write your headline in a way that makes the editor want to read the next paragraph. That’s how you get an editor’s attention. AP Style Guide doesn’t teach you that.

Once you’ve caught an editor’s attention, you’ve got three to five seconds to convince them that it was worth it. So get to the point. The first paragraph of your press release is where you list the who, what, when, where and why. Journalists call this an inverted pyramid structure: most important information at the top, least important information at the bottom. Stick to this. Busy editors will appreciate you getting to the point quickly.

Finally, list your contact information at the bottom of the press release; not the top. I know many press release guides tell you differently, but they’re wrong. You want editors to see your headline first; not your contact information. Editors decide in a matter of seconds whether to throw your press release away or read the next sentence. Do you think they’ll be intrigued by your name and number? 

This is real life press release advice. I can see some old pundits shaking their heads at me right now, despite the wall of newspaper clippings behind me. All I can say is: it’s a good thing you and I are submitting our press releases to real editors instead of people who preach and theorize about them. With all due respect, there is a difference.

How Long Will Your TV Ad Be Effective?

Friday, September 4th, 2009

 

Ask the people who created the longest running ad in history

by Steve Lotter

Big Idea Company

Do your brand justice, create an ad that will last.

Marketers take note:  the lifespan of your television campaign relies solely upon the relevancy of your message.  Sound easy enough?

Then why do so many ad makers continue to ignore this simple rule of thumb in an effort to be trendy at the expense of being relevant to their prospects?  I’m talking about overuse of celebrity endorsements, inappropriate use of special effects, and humor at the expense of your core brand message.

What’s wrong with all the trendy celebrity endorsements?  When done appropriately, nothing.  But most celebrity endorsements are more seductive to the client than they will ever be to American consumers.  Michael Jordan has brand-permission to endorse sports drinks and sneakers because he used them to become the greatest basketball player of all time.  But he doesn’t have brand permission to endorse most of the other products and services he’s been paid for.  More power to Michael for commanding high fees, but most of those endorsements are outside his field of expertise and, therefore, irrelevant to consumers.  Their effect on sales is marginal and their shelf-life is short at best.  And don’t forget – a popular celebrity today can become a PR nightmare tomorrow. (Exhibit A).

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